Yes you can look good: what to pack for snow

what to wear in iceland

At a travelblogger’s conference earlier this year I was horrified to learn that I am not a proper travel blogger. If I was, I would have written a dozen ‘packing advice’ posts by now. It’s the done thing: guaranteed to get you views. But hey I’m not fickle* and I’m not interested in packing posts. I can’t think of anything more dull to read than an article on ‘go to this shop and buy this’, just to wear once on holiday. Having that that, I did meet a lady whose sole ‘packing advice’ blog got so popular she now employs over 30 people.

So *this is not strictly a packing post, I merely added the word ‘pack’ in the title to test out if there is any ‘clickbait’ reaction. The main reason I am writing is a couple of weeks back the UK came to a standstill after ‘some’ snowfall. So I’m tying in ‘snow style tips’ with packing; this doubling up makes me feel less ashamed about writing a ‘packing post.’ (Seriously who are these hundreds and thousands of people around the world who read blogs about ‘packing’? Surely there’s none in my friendship network?)

On to the topic in question. I used to be so freaked out by snow. As a Londoner with little exposure to the white stuff I didn’t get how on earth you walk in it. One time on a ski trip in Slovenia the snow got to me so much I cried on the slopes. Much of my lack of confidence was that I just felt so uncomfortable. My hired ski suit was so un-me and I was handed big bulky boots that I’d never have chosen to wear myself. Leaving any fashion decision in someone else’s hands is a massive risk.

Last month, I faced my snow fears again by spending a few days in Iceland, only this time I was determined not to get upset by abiding by convention and wearing dull clothes. Instead I decided to pack as myself. The only addition I made to my normal wardrobe was thermals. When you’ve got thermals on under your clothes you can get away with wearing anything. Maybe that’s obvious but if it is, I’d like to know what the excuse is for there being so much blandness being worn at this time of year? (Minus the Christmas jumper which is as adventurous as most British people get.)

So here’s what I discovered about what to wear when it snows, or if you’re in a snowy place.

Hiking books? Whatever. You just need some decent crampons
snow boots_craft and travel blog

I did actually look into walking and hiking boots but any that were remotely pleasing on the eye were painfully expensive. I mean I only wanted boots for a three day trip, there was no way I was going to invest is a pricey pair and justify it by telling myself I’d wear them again. So I decided on the best possible option, buy the cheapest but nicest pair I could find that would do the job then add on crampons, a portable teeth-like device you place on your shoe which aids walking on snow and ice. They’re pretty cheap and discreet and make walking in snow a breeze. For the boots themselves I bought a pair from Ebay for £10 and they totally did the trick.  I only needed the crampons on a couple of occasions when the snow walking turned to snow trekking.

Dress up
snow style
See I’m the kind of girl that wears dresses pretty much every day. I don’t own a pair of jeans and I hate trousers, I find them annoyingly restricting. So I consulted my dress collection and picked out the ones which had long sleeves and came below the knee. Then I teamed them with two layers of thermals underneath and the result was I felt happy wearing a dress and I didn’t get cold. Win.

Colour
iceland_black_sand_beach_rocks

I’ve come across a couple of travel bloggers who have declared it’s winter, so they will be wearing dark colours. Eh? Fine if you want to blend into the grey skies but there’s no law to say colour is just for sunshine. Truth is colour brightens up your mood and those around you. In a winter landscape, colour increases in vibrancy and as many would describe it, makes your photos ‘pop.’ (Yeah, I don’t know what that means either.) You don’t need to go out like a rainbow, think about a key colourful piece – like my red poncho – every time I’ve ever worn it it gets compliments. In fact it’s a travel staple. I take it everywhere, even warm destinations because it acts as an aeroplane blanket and shelter from the draft of air con.

Accessorise appropriately
what to pack for iceland

To be fair, I don’t normally put the words ‘appropriate’ and ‘fashion together’ but it does alarm me when it’s snowing, people complain and they aren’t even wearing a hat, scarf or gloves. When you’re wrapped up warm for winter your jewellery like necklaces and bangles may get covered up by your layers, but those key items that will be seen are a chance to enjoy your personal style. There’s a scarf type for everyone. And hats… we lose most body heat through our heads yet still there are folk that don’t wear hats. Don’t feel self-conscious, just get one that’s warm and snug – same for gloves. Part fingerless are my favourite because they allow you to do so much more than mittens do despite the fact visually I prefer a mit.

Get cosy in your coat
what coat you need for iceland
Your coat is your shield. Your armour. You could be wearing all the thermals in the world but your coat is what will keep the winds out. Yes they are a pain to travel with and mine is so huge it actually took up the same space as hand luggage but lugging it around was so worth it, especially in the waterfall areas of Iceland where the conditions are literally biting cold.

hotel ranga iceland _northern lights

So…should it snow again where you are, or if you’re off to somewhere snowy this Christmas or New Year don’t feel compelled to wrap up and look drab… snug can be stylish too.

Fancy going to Iceland. I was invited by and stayed at Hotel Ranga in Southern Iceland, which is an incredible spot in which to witness the Northern Lights as they have a policy that they give you a wake up call in your room at whatever time they come out whether that’s midnight or 4am, you won’t miss them! 

Image credits: Craft and Travel

Win a trip to China in the ‘My Moment With China’ campaign

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Portrait by: Horaczko Photography

When I was at school I won four return train tickets to anywhere in the UK so my three sisters and I went to the furthest place we could think of – Edinburgh in Scotland. It was our first trip away together and we never would have gone if I hadn’t entered the competition. More recently a friend of mine won a pair of flights to Malayasia… and gave me her second ticket! So you see, competitions can be won, you’ll never know unless you enter.

A competition that’s caught my eye at the minute is the My Moment With China one which launched this week. There’s five places up for grabs – that’s five lucky winners heading off to Sichuan in China this September, that’s not even long to wait! So if you haven’t managed to book yourself a summer holiday (like me) or also can’t afford a holiday at the minute (also like me!) then quite frankly there’s nothing to lose.

To enter all you need to do is submit a video or photo (up to six) on social media using the hashtag #IAmInChina – yep. It’s as easy as that! More details on the IAmInChina website here. Entry is open worldwide. Go go go! (And let me know if you win!)

Here’s some of the awesome things you can discover in Sichuan…

Giant pandas: 80% of the world’s giant pandas are bread in Chengdu, the capital of Sichuan

Spicy food: If you’ve ever tried a Sichuan dish as your local Chinese it was probably tasty but nothing beats the real thing

Bamboo: One of the most versatile materials in the world, in this region you can visit bamboo forests

Thank you portrait, event & tourism photographer Horaczko Photography for the photo of me shot in Camden, North London.

 

Utopian Design – A look back at the inaugural London Design Biennale

LDB-India-1.jpg(Chakra View, India, image: Ed Reeve)

Back in September Somerset House became a homage to contemporary design from 37 countries in a new annual exhibition called the London Design Biennale. The theme was Utopia By Design and each country was asked to depict what Utopia means to them.

LDB-Albania-2.jpg(Installation by Albania)

Consisting of installations, artworks, protypes and experiences, visitors where able to interact with world-leading architects, designers, scientists, writers and artists.

I first came across the buzz of the event on social media. The exhibition, although lasted three weeks was part of London Design Week. This event stood out because of the ‘international appeal.’ The chance to visit 37 countries in one exhibition was too exciting an experience not to embark on, so I popped along on the last weekend to have a look at what it was all about.

Split across different, floors, wings and even outside the venue, it was a mammoth exhibition and a day (as I had also heard on the grapevine) wasn’t enough, but I took in as much as I could, and as well as discovering the fascinating backgrounds to each piece, I also took the opportunity to pose in the exhibitions -well, the backdrops were made for Instagramming!

From roaring digital fireplaces (Germany) to huge animal swing chairs (South Africa) and a giant gumball machine dispensing water (Saudi Arabia), there was plenty of imagery and objects to spark the imagination, and installations so striking they were instantly memorable.

I think I managed to get around to see all of them. Here were my favourites…

PAKISTANLDB-Pakistan-1.jpg
An installation entitled Daalaan, this was a huge room filled with beautifully printed textile hanging and wooden stools that spun round; sitting on them was a perfect break to all the walking around the exhibition entailed. Created by Karachi based Coalesce Design Studio, their interpretation was that Utopia is ‘a place where strangers become friends.’ Consisting of architecture, design, furniture and fabric screen prints made from henna dyes, it had a relaxing and welcoming feel and it was a pleasure to relax there, (as much as one can at a busy public exhibition!), and take it all in.

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With its sci-fi spaceship theme, this was one of the most fun exhibits. The literature accompanying the exhibition was fascinating and told of an agreement assigned by 29 countries in 1955 to create a satellite. It consisted of a floating satellite surrounded by interesting dome like structures.

TURKEYLDB-Turkey-1.jpg
A ‘wish machine’ – with a name like that, this was already going to be one of my favourites! A cultural tradition deeply rooted in the ancient Anatolian faith and found in ancient Greek, Kabala and Persian beliefs, Wish Machines operates on a simple mechanism that involves affixing a note or a memento to a branch of a tree as an act of hope.

SPAIN
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The Spanish offering consisted of a tube you walk through with distorted mirrors at the end that symbolised a ‘utopic next century city’, a habitat where technology, life standards and health coexist, even when natural resources are scarce.spain_londo_design_biennale
It’s a scary thought that this is an actual reality: we will have to face such times.

AUSTRIA
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I get over excited whenever I see lights so this kinetic light installation had instant appeal. The theory on the other hand of why it lit up was one of the more complicated of the entire exhibition.
austria_london_design_biennaleI’m not going to try to explain it because in truth it went ovr my head in a too-academic-for-a-public-exhibition-kind-of-way, but aesthetically speaking I had much appreciation for it.

LEBANON
LDB-Lebanon-1.jpg
A real-life miniature city was set up for this alfresco exhibition where artist Annabel Karim Kasser recreated a bustling street scene from Beirut including a wet shave bar, falafel hut and juice bar. Attention to detail was everything and the falafel, which was on sale, tasted great!

INDIA
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(Image: Bradley Barnes)

The India space Chakra View was one of the major commissions and took up an entire wing. Weaving together India’s cultural heritage it used traditional textiles and ancient mythology, with modern design innovations to portray a sense of modern India. Colourful creative and a complete experience, stepping into the main space was a joy from every angle it was viewed from.

india_london_design_biennale
CraftandTravel’s Editor posing by the installation

Alongside the exhibition there was a number of talks at The London Design Biennale and I attended one chaired by Priya Paul, Chairperson of The Park Hotels in India. I was keen to go because I stayed at their Kolkata hotel in 2014 and loved every minute of my stay. Cool design was present in every aspect of the hotel and it remains one of the most memorable places I’ve ever stayed in. Priya chaired a discussion about contemporary design in India and in particular, the role Indian crafters and artisans play in it.

Priya is an avid supporter of art and crafts and invited respected figures from the Indian design world to give their thoughts on the subject, including Rajshree Pathy, Founder of India Design Forum who created the colourful Chakra View installation.

A common theme in their discussion was around how businesses (such as hotels) can incorporate the work of artisans and crafters to help preserve their heritage which I thought was a positive approach. Certainly design-led hotels, rather than chains which look the same, can have unique, one, off and hand-crafted pieces as part of their décor, though of course it was be amazing if bigger chains could also see the value it would have.

The discussion began with some observations by Author Sunil Khilnani who explained that design has been important in India for 60 years – in 1958 the India Report was the blueprint for the national institute of design who were committed to contemporary design being part of India’s heritage.

He commented how Gandhi was an anti-industrialist because he didn’t like how mass produced goods could mean the loss of handicrafts. Bringing the conversation up-to-date,  Researcher Alice Ciccolini described her own experiences of the jewellery industry where the children of mastercrafters do not want to work in the industry, so work is being done to encourage them to see the benefits.

One issue is that middle-class wealthy Indians are going to art school and becoming artists but the lower paid artisans and crafters who are poor, cannot see the value in what they are doing, so this gap between how art and craft is perceived needs to be changed.

Practicality wise the mobile phone has been beneficial to crafts people as they can now cut out the middle-man and take orders directly. Priya also referenced the resurgence there has been in the weaving industry and how wealthy Indians appreciate owning hand crafted pieces as a form of patronage.

A fascinating conversation which informed my visit to the exhibition, it made me realise how important the ‘talks’ that are programmed alongside exhibitions are; I’ll certainly be looking at attending more of them for future exhibitions I visit.

For more information about the exhibition visit www.londondesignbiennale.com

Momtaz Begum-Hossain, CraftandTravel.com