Everything you ever wanted to know about t-shirts… ‘T-shirt: Cult Culture Subversion’ at the Fashion and Textile Museum

I’m so clueless about t-shirts that it wasn’t until I went on a tour of the new T-Shirt: Cult – Culture – Subversion exhibition that opened this week at The Fashion & Textile Museum in London that I realised they are ‘T shaped.’ I mean how can I be a fashion fan and not know that? Seriously that bit of knowledge completely passed me by, but maybe it’s because in truth I have absolutely no interest in t–shirts.

I don’t own any other than a couple from my youth (three band t-shirts which I didn’t actually wear, I bought them as memorabilia). You won’t even find me wearing them at the gym, I opt for vests, and when I’ve ever been in a situation where I’ve been told to wear one as a uniform, I tend to revolt. That said I did once teach a how to customise a t-shirt workshop but then again, the object of the session was to transform them as much as possible from their original form. So when I heard about this exhibition I wanted to go because I realised this was my opportunity to get a better understanding of what this most common of, casual garment is all about. And while I have in no way converted, I have a new found respect for the humble tee…

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Andy Warhol t-shirts

feminist t shirt

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Gilbert & George art-shirt
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One of the sections in the main exhibition room

The exhibition ends on a ‘plain white t-shirt’ (I don’t even own one of them) but before you get there, there’s another 100 tees to look through spanning 50 years, sourced from the archives of artists, fans and collectors. It’s not a definitive history (t-shirt shaped garments are thought to be one of the earliest ‘fashioned’ items of clothing worn in as early as the 5th century – now there’s a fashion fact for you.) But what you will find is 11 distinct sections considered ‘milestones’ in t-shirt evolution.

‘The earliest t-shirt shaped garments can be traced back to the 5th century’

These include techniques such as screen-printing which opened up the ability to make them on bigger scales, band t-shirts which although are now considered a fan item actually originated as the uniform of the roadies and crew and political tees – and there’s me thinking they all came under the heading ‘slogan tees’, there’s so much more to them than that. The message you wear can broadcast a social, political or even musical message and if you truly want to broadcast with todays tech you can, there’s an LED t-shirt on display which can even display live Tweets.

One of the things that is fascinating that I didn’t appreciate before, is that t-shirts are universal because of their price point, you can pick one up for a few pounds, from an ordinary store or you can spend £700 on a designer one (why I’m not sure but it happens!)

Another aspect I found of interest is the ‘power of the t-shirt’ and this dynamic explains one of the reasons I’m not a fan. I like to look ‘unique’ different, knowing it’s highly unlikely I will cross paths with someone wearing the same as me, but because t-shirts are mostly mass-produced that’s not the case but also does that weaken their message too? If there’s one t-shirt with a political message on is that strong alone or will it have no impact and if everyone is wearing the same t-shirt does that empower the message or make it meaningless – so much food for thought? My original feeling at the exhibition was that it lessens the impact but now I think if everyone is wearing the same t-shirt with the same message then that message will make its mark.

Another aspect I found interesting was the smiley faced t-shirts, my association with them was the 90s rave scene but I a) didn’t realise that the smiley was actually from the 60s and 70s and more interestingly b) the current emoji faces are also versions of the smiley – yup that never clicked with me either, maybe I’m just really late but it does help me make more sense of why humans have taken to them so much, smileys in general have a universal appeal.

‘How does the meaning of a Superman t-shirt change when a woman wears one?’

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Contemplating the Superman tee

There’s also a display of unisex t-shirts. In stores you often find male and female sizes of the same t-shirt or variations (yes the pink and blue versions) but one could just ignore that and wear a t-shirt meant for a different body, and if you do is there any specific effect? How does the meaning of a Superman t-shirt change when a woman wears one? It’s again not something I considered but in truth if you asked me I would associate a girl with wearing a Superman logo as being Supergirl but now I realise I’m completely rigid in my thinking a girl can be Superman if she wants right?

A: The Typography of T-Shirts

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Featured in Susan Barnett’s photography exhibition

Separate to the main sections in a room of its own is an extraordinary exhibition by New York photographer Susan Barnett. Her work spans a decade during which time she’s photographed hundreds of people she’s spotted on the streets, from the back, and 65 of them are on display. It’s so striking to see all the same composition but each image telling such a different story. Her work touches on themes of identity and how you can form an opinion about someone just from seeing what the back of their t-shirt says. Susan was at the exhibition opening where she said: ‘Their choice of t-shirt tells us who they are, who they want us to think they are, who they aren’t – they want to be noticed, they are putting their message out there and it starts a conversation.’

‘You can form an opinion about someone just from seeing what the back of their t-shirt says.’

I’d never thought of it life this. Commonly I see people in what I think are ridiculous messages which I feel says nothing about their personality but in fact I have over-looked the fact that they have made a conscious decision to wear that t-shirt so it must mean something to them.

Susan has also made some fascinating observations about how messages can change over time, explaining that in the US in 2009 just after Obama has been elected in the States she saw a lot of people wearing hopeful messages but as time has gone on and people have started to get more angry and dissatisfied the more political their slogans become and the more swear words you’ll see.

While the main exhibition is all about the front of t-shirts, seeing just backs of them worn on people is a completely different experience because we get just a hint of the person, but we never see them. It’s a powerful piece and has really got m thinking about when I next see someone wearing a t-shirt, in particular with words or a slogan, I’m going to wonder more about what kind of person they are for choosing to wear it.

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T-shirt: Cult Culture Subversion’ takes place at the Fashion and Textile Museum London from 9th February to 6th May 2018. Tickets cost £9.90 for adults and there are also a series of accompanying talks.

http://www.ftmlondon.org

 

Art Riot: Post-Soviet Actionism and Pussy Riot at Saatchi Gallery, London. Exhibition preview

You’ll either walk out of Art Riot fuelled with passion ready to make your own artistic political statement, or you’ll leave feeling inadequate that you’ve never been brave enough to truly stand up for what is right. I felt the latter. See the thing is, the ideas, concepts, creativity and practical action carried out by the three major artists and their peers who are taking part in the new Saatchi Gallery exhibition ‘Art Riot: Post-Soviet Actionism’ are so impressive, it’s mind-blowing – literally.

Their sheer passion and commitment to make a stand against politics, authority, oppressors, power, laws and rules makes you feel in awe of their wisdom. You on the other hand are possibly thinking about doing something ‘radical’ but will so easily find ways of talking yourself out of it, which is what makes these artists such important people.

Educational and thought-provoking, the exhibition is dedicated to 25 years of Russian Art Protest, so it isn’t something you’ll typically come across. It’s a rare experience to enter into such a specific world. All the installations on display make perfect sense when you consider their intentions, but they are hard to digest because they are so different to the realities most of us witness on a typical day.

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Pussy Riot performing ‘Mother of God, Drive Putin Away’

Pussy Riot, are likely to be the most recognisable of the artists involved after the international media coverage the feminist punk rock band received after two of their members were jailed for two years after the group performed at a cathedral. Their story is documented in the film ‘Pussy Riot: A Punk Prayer’ and now it’s become even more vivid with ‘Inside Pussy Riot’, a programme of live immersive performance which accompanies the exhibition. Not much has been revealed about the experience, I didn’t get to see it when I visited, but it’s supposed to make you feel as though you are inside a Russian prison. Which judging by banners on display in the exhibition is not a positive experience.

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Portrait of Pussy Riot’s Nadezhda Tolokonnikova

Vibrant and colourful (just like their signature balaclavas) the work on display is bold and beautiful and features huge portraits, statues and even the women turned into Russian dolls.

Maria, one of the two members of Pussy Riot who was jailed, was in attendance at the preview.

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Maria Alyokhina, Pussy Riot

Elsewhere there’s a gallery dedicated to Oleg Kulik, who was also at the preview I attended.

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Oleg Kulik at London preview of Art Riot

Oleg is considered one of the most controversial artists in Russia and though he does sculptures and illustrations, it’s live performance art in which he really excels in pushing boundaries. Once of his most iconic works is where he became a man-dog for five years. During this time he behaved like a dog in public crawling around naked, barking and even living as a dog in a cage. The exhibition showcases extraordinary footage of him being patted on the head by a police officer and even having other dogs bark at him. It sounds comedic yet it isn’t.

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Artist: Pyotr Pavlensky and his living art ‘Seam’

Another gallery is dedicated to Pyotr Pavlensky who takes his art to the extreme of extreme; from sewing his mouth shut to rolling naked in barbed wire through to his most terrifying works, ‘Threat’ where he set alight the HQ of the Russian Security Services while inviting the media to observe and play a role in the ‘artistic performance.’ His says: ‘My aim is to suck the authorities into my art and deprive them at least temporarily, of the ability to control event.’ WOW. That is some serious thought out plan and with precision he has stayed true to his intentions. This section of the exhibition is scarily dark and atmospheric and features audio accounts of conversations he’s had with different authorities, again building them into his art.

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AES+F’s installation The Islamic Project

Other sections include a room filled with what seems like beautiful quilts but are in fact a visualisation of Western fears about Islam. Displayed to feel like a Bedouin tent it’s filled with handmade carpets where meditation is encouraged. There’s plenty more too but it’s not my intention to give it all way. Art Riot features anecdotes and stories that you may not hear about, may not affect your day-to-day life but have universal importance. It opened my eyes to a side of art I realised I knew nothing about so I am happy I visited.

Art Riot: Post-Soviet Actionism runs 16 Nov – 31 December 2017
Inside Pussy Riot (immersive theatre experience) runs until 24 December 2017

Images by CraftandTravel and Saatchi Gallery PR

www.saatchigallery.com