Everything you ever wanted to know about t-shirts… ‘T-shirt: Cult Culture Subversion’ at the Fashion and Textile Museum

I’m so clueless about t-shirts that it wasn’t until I went on a tour of the new T-Shirt: Cult – Culture – Subversion exhibition that opened this week at The Fashion & Textile Museum in London that I realised they are ‘T shaped.’ I mean how can I be a fashion fan and not know that? Seriously that bit of knowledge completely passed me by, but maybe it’s because in truth I have absolutely no interest in t–shirts.

I don’t own any other than a couple from my youth (three band t-shirts which I didn’t actually wear, I bought them as memorabilia). You won’t even find me wearing them at the gym, I opt for vests, and when I’ve ever been in a situation where I’ve been told to wear one as a uniform, I tend to revolt. That said I did once teach a how to customise a t-shirt workshop but then again, the object of the session was to transform them as much as possible from their original form. So when I heard about this exhibition I wanted to go because I realised this was my opportunity to get a better understanding of what this most common of, casual garment is all about. And while I have in no way converted, I have a new found respect for the humble tee…

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Andy Warhol t-shirts

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Gilbert & George art-shirt
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One of the sections in the main exhibition room

The exhibition ends on a ‘plain white t-shirt’ (I don’t even own one of them) but before you get there, there’s another 100 tees to look through spanning 50 years, sourced from the archives of artists, fans and collectors. It’s not a definitive history (t-shirt shaped garments are thought to be one of the earliest ‘fashioned’ items of clothing worn in as early as the 5th century – now there’s a fashion fact for you.) But what you will find is 11 distinct sections considered ‘milestones’ in t-shirt evolution.

‘The earliest t-shirt shaped garments can be traced back to the 5th century’

These include techniques such as screen-printing which opened up the ability to make them on bigger scales, band t-shirts which although are now considered a fan item actually originated as the uniform of the roadies and crew and political tees – and there’s me thinking they all came under the heading ‘slogan tees’, there’s so much more to them than that. The message you wear can broadcast a social, political or even musical message and if you truly want to broadcast with todays tech you can, there’s an LED t-shirt on display which can even display live Tweets.

One of the things that is fascinating that I didn’t appreciate before, is that t-shirts are universal because of their price point, you can pick one up for a few pounds, from an ordinary store or you can spend £700 on a designer one (why I’m not sure but it happens!)

Another aspect I found of interest is the ‘power of the t-shirt’ and this dynamic explains one of the reasons I’m not a fan. I like to look ‘unique’ different, knowing it’s highly unlikely I will cross paths with someone wearing the same as me, but because t-shirts are mostly mass-produced that’s not the case but also does that weaken their message too? If there’s one t-shirt with a political message on is that strong alone or will it have no impact and if everyone is wearing the same t-shirt does that empower the message or make it meaningless – so much food for thought? My original feeling at the exhibition was that it lessens the impact but now I think if everyone is wearing the same t-shirt with the same message then that message will make its mark.

Another aspect I found interesting was the smiley faced t-shirts, my association with them was the 90s rave scene but I a) didn’t realise that the smiley was actually from the 60s and 70s and more interestingly b) the current emoji faces are also versions of the smiley – yup that never clicked with me either, maybe I’m just really late but it does help me make more sense of why humans have taken to them so much, smileys in general have a universal appeal.

‘How does the meaning of a Superman t-shirt change when a woman wears one?’

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Contemplating the Superman tee

There’s also a display of unisex t-shirts. In stores you often find male and female sizes of the same t-shirt or variations (yes the pink and blue versions) but one could just ignore that and wear a t-shirt meant for a different body, and if you do is there any specific effect? How does the meaning of a Superman t-shirt change when a woman wears one? It’s again not something I considered but in truth if you asked me I would associate a girl with wearing a Superman logo as being Supergirl but now I realise I’m completely rigid in my thinking a girl can be Superman if she wants right?

A: The Typography of T-Shirts

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Featured in Susan Barnett’s photography exhibition

Separate to the main sections in a room of its own is an extraordinary exhibition by New York photographer Susan Barnett. Her work spans a decade during which time she’s photographed hundreds of people she’s spotted on the streets, from the back, and 65 of them are on display. It’s so striking to see all the same composition but each image telling such a different story. Her work touches on themes of identity and how you can form an opinion about someone just from seeing what the back of their t-shirt says. Susan was at the exhibition opening where she said: ‘Their choice of t-shirt tells us who they are, who they want us to think they are, who they aren’t – they want to be noticed, they are putting their message out there and it starts a conversation.’

‘You can form an opinion about someone just from seeing what the back of their t-shirt says.’

I’d never thought of it life this. Commonly I see people in what I think are ridiculous messages which I feel says nothing about their personality but in fact I have over-looked the fact that they have made a conscious decision to wear that t-shirt so it must mean something to them.

Susan has also made some fascinating observations about how messages can change over time, explaining that in the US in 2009 just after Obama has been elected in the States she saw a lot of people wearing hopeful messages but as time has gone on and people have started to get more angry and dissatisfied the more political their slogans become and the more swear words you’ll see.

While the main exhibition is all about the front of t-shirts, seeing just backs of them worn on people is a completely different experience because we get just a hint of the person, but we never see them. It’s a powerful piece and has really got m thinking about when I next see someone wearing a t-shirt, in particular with words or a slogan, I’m going to wonder more about what kind of person they are for choosing to wear it.

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T-shirt: Cult Culture Subversion’ takes place at the Fashion and Textile Museum London from 9th February to 6th May 2018. Tickets cost £9.90 for adults and there are also a series of accompanying talks.

http://www.ftmlondon.org

 

Art Riot: Post-Soviet Actionism and Pussy Riot at Saatchi Gallery, London. Exhibition preview

You’ll either walk out of Art Riot fuelled with passion ready to make your own artistic political statement, or you’ll leave feeling inadequate that you’ve never been brave enough to truly stand up for what is right. I felt the latter. See the thing is, the ideas, concepts, creativity and practical action carried out by the three major artists and their peers who are taking part in the new Saatchi Gallery exhibition ‘Art Riot: Post-Soviet Actionism’ are so impressive, it’s mind-blowing – literally.

Their sheer passion and commitment to make a stand against politics, authority, oppressors, power, laws and rules makes you feel in awe of their wisdom. You on the other hand are possibly thinking about doing something ‘radical’ but will so easily find ways of talking yourself out of it, which is what makes these artists such important people.

Educational and thought-provoking, the exhibition is dedicated to 25 years of Russian Art Protest, so it isn’t something you’ll typically come across. It’s a rare experience to enter into such a specific world. All the installations on display make perfect sense when you consider their intentions, but they are hard to digest because they are so different to the realities most of us witness on a typical day.

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Pussy Riot performing ‘Mother of God, Drive Putin Away’

Pussy Riot, are likely to be the most recognisable of the artists involved after the international media coverage the feminist punk rock band received after two of their members were jailed for two years after the group performed at a cathedral. Their story is documented in the film ‘Pussy Riot: A Punk Prayer’ and now it’s become even more vivid with ‘Inside Pussy Riot’, a programme of live immersive performance which accompanies the exhibition. Not much has been revealed about the experience, I didn’t get to see it when I visited, but it’s supposed to make you feel as though you are inside a Russian prison. Which judging by banners on display in the exhibition is not a positive experience.

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Portrait of Pussy Riot’s Nadezhda Tolokonnikova

Vibrant and colourful (just like their signature balaclavas) the work on display is bold and beautiful and features huge portraits, statues and even the women turned into Russian dolls.

Maria, one of the two members of Pussy Riot who was jailed, was in attendance at the preview.

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Maria Alyokhina, Pussy Riot

Elsewhere there’s a gallery dedicated to Oleg Kulik, who was also at the preview I attended.

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Oleg Kulik at London preview of Art Riot

Oleg is considered one of the most controversial artists in Russia and though he does sculptures and illustrations, it’s live performance art in which he really excels in pushing boundaries. Once of his most iconic works is where he became a man-dog for five years. During this time he behaved like a dog in public crawling around naked, barking and even living as a dog in a cage. The exhibition showcases extraordinary footage of him being patted on the head by a police officer and even having other dogs bark at him. It sounds comedic yet it isn’t.

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Artist: Pyotr Pavlensky and his living art ‘Seam’

Another gallery is dedicated to Pyotr Pavlensky who takes his art to the extreme of extreme; from sewing his mouth shut to rolling naked in barbed wire through to his most terrifying works, ‘Threat’ where he set alight the HQ of the Russian Security Services while inviting the media to observe and play a role in the ‘artistic performance.’ His says: ‘My aim is to suck the authorities into my art and deprive them at least temporarily, of the ability to control event.’ WOW. That is some serious thought out plan and with precision he has stayed true to his intentions. This section of the exhibition is scarily dark and atmospheric and features audio accounts of conversations he’s had with different authorities, again building them into his art.

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AES+F’s installation The Islamic Project

Other sections include a room filled with what seems like beautiful quilts but are in fact a visualisation of Western fears about Islam. Displayed to feel like a Bedouin tent it’s filled with handmade carpets where meditation is encouraged. There’s plenty more too but it’s not my intention to give it all way. Art Riot features anecdotes and stories that you may not hear about, may not affect your day-to-day life but have universal importance. It opened my eyes to a side of art I realised I knew nothing about so I am happy I visited.

Art Riot: Post-Soviet Actionism runs 16 Nov – 31 December 2017
Inside Pussy Riot (immersive theatre experience) runs until 24 December 2017

Images by CraftandTravel and Saatchi Gallery PR

www.saatchigallery.com

Colourscape is coming back to London: it’s a must visit for #colourlovers

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Ever since I watched Pulp’s video for Lipgloss, back in 1995, I have been completely obsessed with inflatable tubes. There’s was called an ‘Eggopolis’ and consisted of four giant egg shaped inflatable rooms linked by inflatable corridors. I waited over 20 years (aka last year!) until I finally found my chance, at the Colourscape music festival in Clapham Common, which it turns out started in 1989, and remains the only musical festival to take place inside a sculpture.

Visitors enter an inflatable rainbow universe where they can get lost amongst a vibrant aerated world, while listening to live performances, taking place inside, the sounds which echo through the inflatable rooms, guide your way. The experience remains one of my highlights of my year as it was so much fun. Entrance is by a very reasonable priced ticket which gives you access to explore the rainbow labyrinth for an hour. There’s no need to worry about what to wear, before entering you need to remove your footwear and are given a coloured cape to wear – this enhances the experience especially as it makes other people you encounter inside less distracting, everyone seems to be part of the exhibition and experience.

Though you will see other people, I found that even on a busy Sunday afternoon it was still perfectly easy to find secret, quiet spaces with ample opportunity to take fun photos, have a lie down, a thorough exploration and still sit and enjoy the entertainment – I saw contemporary dance accompanied by live electro sounds. This year the line-up includes live music performed on experimental percussion instruments.

Colourscape takes place over nine days and consists of over 100 interlinked chambers, covering one acre of space. Every step you take is an experience, you never know what colour or colour combinations await you around each turn. I particularly like that there is such a universal appeal to the exhibition/festival/experience. It’s a captivating surprise for all ages and it crosses language and cultural barriers because it’s a physical space you can enjoy without any prior knowledge: simply step in and get immersed in the dream-like surroundings.

Afterwards there’s a temporary café outside in the park, serving home-cooked goodies like salads, quiches and yummy tea and cakes. I can’t think of a more fun way to spend some time doing something different (and of course getting lots of Insta-perfect photos with no need to use any filters – the vibrancy is real!)

Colourscape
Dates: 16th-24th September 2017

Location: Clapham Common, near the Long Pond boating lake and The Windmill pub, London SW4 9DE.
Cost: Weekends, Adults £10, Children £5 (family tickets available) Cheaper weekdays. Check the website for full programme of events which take place inside Colourscape.
www.colourscape.org.uk

 

The Truth About London Craft Week

I had my reservations about London Craft Week which I aired  on my personal Twitter account a few days before it got under way. I had a lot of interactions too from other appreciators of craft, professional and hobbycrafters, some who shared my concerns and others whose concerns were even stronger than mine.

There’s no doubt that I am supporter of crafts…I wouldn’t have called this blog CraftandTravel  if it wasn’t something I’m passionate about but it’s because of this passion that I feel so protective and sensitive about the subject.

What are crafts? How do you distinguish between art and craft, and craft that is amateur and professional? Does one have more value than the other? This is a topic I have been faced with many times and it’s one I’ve previously written about too, but the answer is not clear-cut. The truth is if one was to look at ‘crafts’ as a discipline, it is one that’s divided. At one end it’s an extremely high-end product that requires incredible skills which results in the finished product having a high value. The average person will never be able to afford it, just like they can’t afford work by major artists and they will never afford to buy anything that appears on the runways of London and other fashion weeks. In that respect there is a whole world of crafts that is incredibly elitist and for the large part that’s what London Craft Week represents.

For me as a crafts lover it’s a chance to experience this side of crafts, as on an ordinary day I can’t walk into a luxury craft store they probably wouldn’t even let me in! Yet at the same time, I worry that in London there is a huge crafts community which sit outside the remit of London Craft Week.

Those that sell their handmade wares on websites like Etsy, have stalls at craft markets, write craft blogs, love making handmade gifts….they too are Crafters but they aren’t represented in the London Craft Week programme so that’s my dilemma: why can’t both of these creative worlds be united under this umbrella event?

I went to London Craft Week with an open mind and chose to focus on the free events which is what you’ll get a taste of in the video above  but I also went to a couple of the paid ones to get an idea of how they differed. Both were at opposite ends of the scale.

charlotte street hotel.JPGInside The Charlotte Street Hotel

For the first event I went along to The Charlotte Street Hotel to hear Interior Designer Kit Kemp speak. Earlier this year I stayed at the Haymarket Hotel and loved the décor so much I immediately became incredibly fond of Kit’s work so the chance to hear her speak at an event was one I couldn’t miss. 90% of those attending were women on their own which fascinated me. They all had an interest and eye for colour, pattern and design and I got speaking to several, it was a wonderful evening.

The second of the paid events I chose to attend was a discussion entitled ‘Can Crafts Make Britain Great Again?,’ held inside a high-end crafts store. I’ve never felt more out of place. Here’s me, my colourful positive craft living self at a craft event at London Craft Week, I should have felt in my element – when in fact I’ve never felt more like an outsider. I felt like how it may feel for a common working class student to turn up to Oxford University in its earliest days – you’d feel so different to anyone else and inadequate.

There was a panel led discussion at the end of which I asked a question which the chair chose not to answer. I felt deflated and unimportant and left with a tear in my eye realising that I’d learnt about a new side of an industry which I considered to me by own… that it’s not actually what I think it is.

Craft is an industry that is divided and very much so by class, at least in the UK. In a way this reinforces my reasons for why I write this blog it’s beyond my home country – it’s about crafts on a global scale and in particular the communities who make handmade possible. So though I’m currently feeling a bit disheartened about crafts in the UK right now, I’m excited as ever about the opportunities there are to celebrate the creativity of crafts, by professionals and amateurs around the world and on my journey I’ll be keeping an eye out for whether and how this ‘divide’ exists elsewhere.

Did you attend London Craft Week? What are your thoughts on it?

Hotel review: Why I want to live inside Haymarket Hotel

haymarket_firmdale_hotel_reviews_conservatory.JPGIs Haymarket Hotel an art gallery or a hotel? I’m going with both. A colourful, creative, oasis of sheer delight, Haymarket Hotel (run by the Firmdale group) takes sleeping away from home to a whole knew level. Comfy? Yes Welcoming? 100%. Clean? Absolutely. Spacious? Totally? Good food? Hands down. The tick box elements are easy to complete, but where this London retreat gets its Wow Factor and personality is in the design and décor. We’re not talking ‘finer details’ either. Character is in the every essence of every  decision made, whether that’s with centering the Brumus Restaurant around a striking, colourful painting of an African woman with her sparkly shoe collection, the fish print toilets in reception, with a felt elephant parade on the walls, or in the giant lamps that stand at the foot of the magical, sunset themed indoor swimming pool, where it actually feels like you are wadding into another world.

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(Haymarket Hotel library)

If you’re after somewhere to hang out, to take a break from the craziness of Piccadilly Circus, in Central London, the public conservatory allows visitors to be enveloped by the beauty of this visionary space…but if you’re staying here overnight the treat really begins.
library_haymarket_hotel_reviewThere’s a chic art lounge library filled with handcrafted furniture and furnishings, and of course, the chance to experience your own slice of creative heaven inside one of the boutique hotel’s bedrooms or suites…where basically I nearly died from delight.

Haymarket Hotel: One Bedroom Suffolk Suite
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There are three of these suites within Haymarket as well as a number of two bedroom suites but what struck me on entering is how on earth they managed to get me a room that so immaculately matches my current hair shade?
master_bedroom_mannequin_firmdale_hotel.JPGWhat are the chances of finding a bedroom in shades of pink, blue and white? That was my initial shock. After that I was overjoyed by stumbling into a beautiful living room filled with colour.firmdale_haymarket_one_bedroom_suffolk_suite.JPGFrom the mannequin in the corner through to the framed fabric wall hanging and rose print cushions: this suite was Everything. The vision of Interior Designer Kit Kemp MBE (imagine going to her house for tea?), the Co-Owner and Design Director of Firmdale Hotels, has a book called Every Room Tells A Story, where shares her inspiration behind designing the hotel rooms, which include working with artisans and crafts people from all over the world, making every room completely different.
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Yes. Firmdale Hotels are the ultimate places to stay for fans of Craft and Travel.
haymarket_hotel_swimming_pool.JPGThat pool!

One of the most thoughtful touches in the room was a shelf of records and a record player to play them on, so of course I did just that before heading down for a dip in the pool, which temporarily, while the hotel’s new bar is being fitted, has a poolside cocktail bar adding to the ambience. I also had a peek inside the hotel’s meeting rooms which are in keeping with the hotel’s delightful décor.
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Breakfast buffet selection with the best granola ever

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Kedgeree with a delicious spicy sauce & avocado on the side

Friendly staff and yummy food are part of the experience here, the hottest shower I’ve ever had and comfy bedding that cocoons you into a perfect’s night sleep are luxuries that enhance your stay even more,  even when it feels like it can’t be enhanced anymore.

Fun, fabulous, fashionable…I can’t think of a more perfect place: now when can I move in?

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All the Haymarket Hotels are gorgeous…enjoy the pics online before booking a stay. www.firmdalehotels.com Get more of a taste in this video interview with Kit Kemp.

Momtaz Begum-Hossain
Images: CraftandTravel.com

 

 

 

 

Rickshaw Art of Dhaka, Bangladesh

The beauty of cart art 

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Rickshaws are what makes Dhaka, Dhaka. Bringing colour, creativity and character to the city; and more importantly a means of living to over a million people, there are an estimated 1/2 million rickshaws in Dhaka today.

Rickshaw art is considered ‘street art’ literally as it’s only viewable when you’re actually on the streets. In fact the best way to see it is to board a rickshaw yourself and be taken around the roads, alleyways and labyrinths of new and old Dhaka where a living, moving, changing, live art gallery surrounds you. Also referred to as The People’s Art, rickshaw art makes art accessible to everyone, even the poorest in society, most of whom are rickshaw-wallahs themselves. Instead of it being an art form that is housed inside public galleries, rickshaws roam freely, allowing anyone and everyone to appreciate their beauty.

 A rickshaw is essentially a three -wheeled bicycle with a carriage attached which seats people and luggage. They are cycled through the streets by a rickshaw-wallah transporting members of the public to where ever they wish to go. While the rickshaw itself is rented by the rider/driver/puller known as a rickshaw-wallah; there are many others involved in the rickshaw industry: the owners who commission them to be made, builders, constructors, artists, painters and their apprentices.

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Rickshaw-wallas are male and typically under 30, most have come from rural areas to Dhaka in search of work. The physical demands of the job are extreme and the industry isn’t regulated in terms of limits and what is an acceptable distance to expect a rickshaw-wallah to ride, it’s up to their own endurance. Rickshaw journeys are the cheapest form of transport and all fares are negotiable.

Parts of a rickshaw

A rickshaw consists of several key sections. They are mainly made from recycled materials:

Handle bars: Often decorated with tassels, bells, plastic flowers, tinsel and sparkling fabrics
Frame: Decorated with painted details and patterns

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Seat: These are stuffed with coconut husks and covered with painted vinyl fabrics, metal collaging and plastic appliqué from the seat pad down to the floor where passengers place their feet
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Hood: Luggage like suitcases can be stored here, or additional passengers; they can be pushed up to create a shade for passengers, pushed down, or detached and are decorated with paint or appliqué; the backs are particularly elaborate

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Back plate: This is the main section where the rickshaw painting is seen

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The art on the cart

The themes apparent in rickshaw art vary, but they are often inspired by popular culture so it’s not uncommon to see images that depict film posters or film stars as well as iconic images of rural life, prominent people, architecture, animals, moments in history, flowers and fauna.

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The owner has some influence over what designs feature on their rickshaw but usually they agree a price with the artist who will be painting it, who then has the freedom to paint it as they wish. The decoration of the rickshaw accounts for around a quarter of the total cost of buying one. Artists normally sign or mark the work so it’s possibly to identify who has painted it. There aren’t too many rules surrounding rickshaw art copyright and artists are commonly inspired by each other.

 How to see rickshaws being made

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Rickshaw workshops can be found throughout Dhaka. There isn’t a specific hub; most are tucked away up back streets but it’s possible to visit one by asking around until someone (usually a rickshaw-wallah) knows of one and agrees to take you. Not every rickshaw rider knows where to find them so keep asking or enlist their help to ask around until someone can guide the way. The Lonely Planet guidebook I had on me referred to ‘Bicycle Street’ as a place to see these workshops…it may have been at some point but there wasn’t a single rickshaw workshop there when I visited and no one in the street including rickshaw-wallas knew of any there either.

Unfortunately I don’t know the exact location of the workshop I was taken to by my rickshaw-wallah but it wasn’t too far from Bicycle Street.

At the workshops its possible to buy rickshaw art direct from the artisans, at a much cheaper and fairer price than any rickshaw art you’ll find sold in shops; the money goes direct to them for a start. I purchased two metal back plates and a full size vinyl painting for £15. They have the signature PC Das on them; who I later discovered is the nephew of one of the cities most prominent painters; RK Das.

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Rickshaws can be found all over Bangladesh and in other countries, but it’s Dhaka that is the hub of rickshaw art; the standard and craftmanship of which is so high that seeing them in person, is enough reason to make a trip here.

Momtaz Begum-Hossain
Images: CraftandTravel.com

A little reminder to get away more often…

'those who do not travel' print.jpgIf you’re looking at a travel themed blog, the chances are you’re already a bit of a globe trotter or aspire to be one (or maybe, just maybe, you have no intention of travelling yourself but like to read about what’s out there!)…well this post is aimed at the former. Those that travel, to remind them to keep going, keep exploring, there’s always more to see, more to share, more to experience, more people to meet, more dishes to eat, more adventure.

Wherever you’re up to in your ‘book’ right now, hang this print from Echo Designs, £8 on your walls as a reminder that no matter how dull ordinary life gets, there is always your next trip to look forward to!

African Sunset Wallpaper

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Bring the savannahs into your home with your very own, African sunset wall mural which doesn’t require any wallpaper paste, it is infact a giant sticker. Sold by German brand Komar Products its striking, colourful design will remind you that there’s more to life then just being cosy at home. A backdrop that will inspire you to book your next break, it’s about as Autumnal as home décor gets.

Visiting Central America’s biggest Craft Market, Chicicastenango in Guatemala

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Earlier this year a teenage dream came of Craft and Travel’s Editor-in-Chief of visiting Guatemala came true. The colours, patterns textiles and fashion have always had immense appeal so when she visited, she HAD to take a trip to Chichicastenango, the biggest craft market in Central America.

Read more about her visit here and see lots more gorgeous colourful photos like these:

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‘I’d like one of everything please!’ Momtaz in Guatemala

Queen’s Gallery, Bangkok: Crafts from the Hands of the Hills…to the Hands of the Queen

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Colourful, character-filled and creative, Crafts from the Hands of the Hills…to the Hands of the Queen is a textile-based exhibition which opened at The Queen’s Gallery in Bangkok on August 1st 2016 as part of the auspicious celebrations to mark Her Majesty Queen Sirikit’s 84th birthday. Combining the techniques of hand-weaving, sewing, hand-embroidery, hand-stitching and patchwork, each piece of work on display represents different elements of life in the Hill Tribes of Northern Thailand, a region that’s rich in arts and crafts.

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There are approximately 22,530 hilltribe artisans from across 620 villages who are members of the Queen’s support projects whose aim it is to help rural people earn a living through craft skills, many of whom were involved in the creation of the exhibition.

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In theory it seems like a commendable project, in reality it is so much more. Visiting this exhibition is a treat for all the senses. Spread across five levels you are led through a rainbow of beautiful work, each one is imaginatively composed with minute details showing intricate craft skills. This isn’t just an exhibition for those with an appreciation for ‘crafts’, it’s art of an exceptional level where you’re constantly surprised by the quality of the work.

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Being an appreciator of all things colourful, the first thing I noticed when I walked into the exhibition was the use of colour. It is intrinsic to every piece. They aren’t all made up of vivid hues – it’s more that there are clever colour schemes and palettes at work that together create a remarkable effect.

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From a distance the pieces look like interesting examples of textiles but look closely and you’ll uncover stories and depictions of real life. The King and Queen of Thailand spent time together in the hills and during these trips were able to get an understanding of the needs of the rural community, such as the need to improve agricultural techniques, which they addressed, and it’s these visits and moments that are captured in the stories to such a beautiful effect.

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Looking around I was taken back by the charm of each piece. I love textiles but I’ve never seen such passionate work before. I’ve been thinking about the exhibition a lot since visiting it. It’s so easy to go somewhere on holiday with a long to-do list and then forget to do everything but if you’re in Bangkok this exhibition will be one of the memories that stay with you.

Here are some of my favourite pieces on display – if you get a chance, go and see  them in real life:

peaches_textile _embroidery_thailand.jpgPeaches: a way to conserve forests
Peaches are a cold climate fruit and their cultivation in the hills was tested and proved successful.

sturgen_fishing_thailandLive-changing sturgeon
Because of the cold climate in the hills it’s hard for aquatic animals to survive. The queen initiated an experiment to raise Siberian sturgeon by purchasing fertilised eggs in Russia. By 2014 the project proved successful and led to the first caviar being produced in Thailand.Coffe_plantations_queens_gallery_craft_thailandRoyal provision of coffee plantations
The royal couple encouraged the hill tribes to grow Arabica coffee in substitute to the narcotic plants they used to grow. They grow in shady areas and benefits contribute to decreasing deforestation.

forest conservation.jpgSymbols of forest conservation
The Queen initiated a project to protect forests from deforestation. Communities with outstanding conservation are awarded with flags inscribed with the motto ‘ Conserving the forest in order to protect our lives’

firefliers _close up_embroidery.jpgFireflies

tomato_embroidery_thail-hilltribesRajini Tomatoes
Cultivation of tomatoes have helped increase income for the hilltribes that grow them.

rainbow trout farming.JPGRainbow trout farming
Trout became a food source and can generate income for hill tribes.

production of honey .JPGProduction of honey
A special hive was built for Indian honey bees where they were able to forage for food which benefited fruit and vegetable orchards.

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Hands of the Hills…to the Hands of the Queen runs at The Queen’s Gallery, (near Phan Fah Leelart Bridge), Bangkok, Thailand runs from 1 August – 11 October 2016. Open 10.00-19.00hrs every day except Wednesdays.

There is an activity programme to accompany the exhibition including handicraft training workshops from the six hilltribes, performances and dressing up in hilltribe costumes, running every day:

Lisu tribe: making Lisu cords

Mian (Yu) tribe: Mian embroidery and making Mia cords

Akha tribe: Akha embroidery

Karen tribe: Weaving with waist loom and Karen embroidery with Job’s tears

Hmong tribe: Hmong applique, weaving of hemp cloth, wax drawing on hemp cloth

Lahu tribe: Lahu embroidery and Lahu bamboo basketry

Pop into the shop of the top floor of the gallery to buy some handmade Thai crafts too:

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Momtaz Begum-Hossain
Editor-in-Chief, CraftandTravel.com visited the exhibition on the opening day

ALL IMAGES: CraftsandTravel.com